Criterion Collection re-releases Ang Lee's Ride with the Devil

Funny how life works sometimes. In Wednesday's post, I mentioned that when Ang Lee makes films that miss the mark, they're generally a mile away (Thankfully, he's only really made one brutal head scratcher: Hulk).

Today, I receive a newsletter from Criterion Collection about the addition of Lee's Civil War drama Ride with the Devil to their ranks. For those unaware (there are many), this film was released in 1999, between Ang's two more seminal works: The Ice Storm and Crouching Tiger, Hidden Dragon. The film stars Tobey Maguire and Skeet Ulrich as two Confederate-sympathizers - or 'Bushwhackers' - spurred to action after Maguire's character's father is killed by pro-abolitionist 'Jayhawkers'. It was an awesome film when it was released, and looks to be even better now, as Criterion has given Lee the opportunity to re-cut and remount Ride with the Devil into the film he had originally intended.

I chatted a bit about my love of Westerns in my post about Red Hill, but this film is a little more than a traditional Western. It focuses on the rather violent massacre of Lawrence, Kansas by Confederate Bushwhackers. It's a brutal, and disturbing mess, and is definitely not for the faint of heart.

That being said, everyone should check this film out. Also, anyone who says they hate Tobey Macguire and think he's a no-talent hack should definitely watch Ride with the Devil. He's fantastic in it.

By the way, if you think this about Tobey Macquire, then you're an idiot.

Red Hill

Just read on Cinematical that Sony pictures has picked up the distribution rights to the Australian neo-western film Red Hill. The film stars native-Australian Ryan Kwanten, who most might know as the lovable-yet-dimwitted Jason Stackhouse on Alan Ball's TrueBlood series (bet you didn't know he was an Aussie).



Cinematical classifies Red Hill as a Neo-Western, most likely due to its contemporary setting. For those keeping track, the Robert Rodriquez westerns (El Mariachi, Desperado, Once Upon a Time in Mexico) are also lumped under this category. The case can also be made for the Coen Brothers' No Country for Old Men being similarly classified, although I feel it presents the juxtaposition between traditional Western film traditions (as genre, not ideology) and modern tensions in a different way than the aforementioned films.


Side note: I absolutely LOVE Westerns. They are so rich with thematic content, classical plot structure and an adherence to the land that makes for gorgeous long-pan shots. From an analytic standpoint, Westerns are also hugely influential to contemporary film studies, as they form the backbone of genre studies, which was an important development in the standardization of the discipline. The above screen grab is from John Hughes' Stagecoach, the film that gave the genre credibility, and launched John Wayne's career. But I digress.

Red Hill looks really interesting to me because it seems to actively incorporate the notion of the "modern town" with elements that define the Western genre. Also, it's set in Australia, which means the film has the potential to include a whole slew of niche cultural traits and tensions not normally seen in traditional American Westerns. For a film nerd like me, this sounds pretty interesting. Check out the trailer below, and see if you agree with what I'm saying.